Te invitamos a participar en el evento Alumni Talk + Networking el próximo 22 de agosto a las 6pm, donde contaremos con la presencia de Claudia Robalino Orellana, una destacada graduada de arquitectura de la USFQ.
Confirma tu asistencia al evento aquí: https://bit.ly/AlumniTalkClaudiaRobalino
Sobre Claudia Robalino Orellana
Claudia Robalino Orellana es una arquitecta ecuatoriana cuya obra se centra en las interacciones entre el cuerpo, la naturaleza y el espacio. Con una práctica interdisciplinaria que fusiona arquitectura, tradición oral y escritura, Claudia ha desarrollado sistemas alternativos de habitar, reparar y archivar en territorios vulnerables. Su enfoque en los rituales y el rol de las mujeres como portadoras de conocimiento ofrece una perspectiva única sobre la crisis planetaria, abordada desde una escala de domesticidad.
Graduada de la Universidad San Francisco de Quito (USFQ) en 2018, Claudia continuó sus estudios obteniendo un MA en Arquitectura en el Royal College of Art en Londres. Durante su tiempo en Londres, fue nominada para el prestigioso Premio RIBA Silver Medal y recibió el Premio del Decano, así como el Premio Programa por su innovadora tesis 'Tailoring Camouflage'. Su trabajo ha sido reconocido internacionalmente, participando en residencias, conferencias y exhibiciones en países como Reino Unido, España, Italia, China y Estonia.
Actualmente, Claudia es profesora en el Royal College of Art en Londres, donde imparte un curso de maestría multidisciplinario enfocado en el diseño como metodología de investigación. Además, trabaja en vPPR Architects, involucrándose en proyectos culturales, académicos y residenciales. En su práctica personal, Claudia investiga las complejas relaciones entre la naturaleza y el espacio, destacando la importancia de la colaboración intercultural y explorando los límites entre arte, arquitectura y ecología.
Basándose en su investigación del paisaje y sus amplias preguntas sobre colonización, fertilidad y práctica histórica, Claudia desarrolla manifestaciones físicas utilizando materiales naturales como cerámica, fibras, madera y movimiento en el espacio. A través de estas obras, reimagina los espacios compartidos, reintroduciendo la narrativa, la ornamentación y las experiencias femeninas que han sido marginadas durante tanto tiempo.
El distintivo de Claudia en su campo radica en su interés por abordar temas ambientales y sociales desde escalas domésticas y sensibles de diseño. Su práctica se fundamenta en rituales de cuidado, tradición oral y la relación con la tierra, destacando el papel de las mujeres como portadoras de conocimiento y agentes de reparación. Al dislocar ecosistemas entre lo digital y lo físico y enfatizar la cohabitación humano-naturaleza, Claudia presenta una perspectiva innovadora que responde y reimagina espacios de colaboración y encuentros.
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Claudia expresa su gratitud hacia la USFQ por proporcionarle una sólida formación académica y humana, además de la capacidad de investigación interdisciplinaria que actualmente practica. Valora el impulso recibido para desarrollar un pensamiento crítico y creativo, cuestionar y desarrollar metodologías de diseño a través de la investigación. Agradece especialmente a sus mentores, quienes le enseñaron a innovar y ser auténtica en la exploración de sus intereses culturales, conceptuales y espaciales.
El interés de Claudia se centra en continuar explorando la arquitectura como un medio para abordar problemáticas ambientales y la relación entre humanos y más-que-humanos dentro de una práctica de diálogo e investigación multidisciplinaria. A futuro, planea seguir su carrera con un PhD enfocado en ritual, cuerpo y tradición oral como métodos de documentación experimental y espacial.
Desde su experiencia, Claudia considera fundamental permitirse pensar de manera diferente y buscar alternativas para desarrollar ideas y generar nuevas perspectivas. En disciplinas creativas y de diseño, destaca la colaboración interdisciplinaria como una herramienta valiosa para desarrollar sistemas de diálogo, investigación y habilidades técnicas aplicables de formas no tradicionales a diversas carreras.
Claudia Robalino Orellana representa una voz innovadora en la arquitectura contemporánea, combinando tradición, innovación y una profunda conexión con la naturaleza y la cultura. Su enfoque interdisciplinario y su compromiso con la sostenibilidad y la equidad social la posicionan como una líder emergente en su campo, inspirando a futuras generaciones de profesionales a pensar y actuar de manera diferente.
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ResponderEliminarClaudia Robalino Orellana's talk sounds fascinating! I've always felt architecture is so much more than just buildings; it's about how we experience space. I remember struggling with spatial reasoning in a design class. A friend suggested I try this online game to improve my reflexes and sense of space. It sounds silly, but Slope Game actually helped! It's surprisingly good for getting a feel for perspective and movement. I bet Claudia's work brilliantly blends these physical and abstract concepts.
ResponderEliminarReally enjoyed reading about Claudia’s journey and her unique approach to architecture! The way she blends tradition, nature, and creative thinking is super inspiring. By the way, if anyone needs a fun break after all this inspiration, check out bad ice cream—it’s a quirky little game I’ve been working on. Looking forward to the event!
ResponderEliminarWow, Claudia’s journey is truly inspiring! Her way of blending architecture, nature, and storytelling really got me thinking about how creativity can reshape the spaces we live in. It actually reminds me a bit of how we tried to mix playfulness and design in our own project, Bad Ice Cream. Thanks for sharing this—looking forward to seeing more voices like Claudia’s in the future!
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ResponderEliminarClaudia, it's wonderful to see how you connect architecture with the body and space! This makes me think about how today's hot games also create powerful interactive experiences. Do you think that the art of design in games can influence how we perceive space in reality?
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ResponderEliminarThis is a compelling introduction to Claudia Robalino Orellana’s work, especially in how it connects architecture with body, ritual, and ecological thinking. The emphasis on interdisciplinary practice and alternative ways of inhabiting space is particularly strong, and it shows how architecture can move beyond buildings into cultural and environmental narratives.
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I really appreciate how the article highlights architecture not just as design, but as a form of research rooted in tradition, oral history, and ecological relationships. The focus on marginalized narratives and domestic-scale interventions gives the work a very human and grounded dimension.
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The description of Claudia’s work makes it clear that she is not only designing spaces, but also questioning how knowledge, culture, and environment interact. The connection between material practice and conceptual inquiry is particularly well articulated here.
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This profile does a great job of showing how architecture can act as a bridge between ecological concerns and cultural storytelling. The use of natural materials and ritual-based approaches adds depth to the idea of sustainable design.
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I like how the article emphasizes collaboration across disciplines and the blending of physical and digital spaces. It positions architecture as a flexible and evolving practice rather than a fixed discipline.
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The focus on ritual, memory, and ecological relationships gives this architectural practice a very reflective and culturally rich dimension. It moves beyond conventional design into a more narrative-driven approach to space.
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The article clearly frames architecture as a tool for questioning how humans interact with environment and knowledge systems, which makes it both academic and socially relevant. It encourages thinking beyond traditional disciplinary limits.
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What stands out is the integration of cultural identity and ecological awareness in design practice. This approach makes architecture feel more responsive and socially engaged rather than purely technical.
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Overall, this is a strong portrayal of an architect whose work sits at the intersection of research, culture, and environmental reflection. The emphasis on collaboration, tradition, and experimental methods is particularly inspiring.
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